• About
  • News
  • Friends
  • Applications
  • Contacts
Book your ticket!
  • London
    • Home
    • Exhibitors
    • Artists
    • Special Projects
    • 1-54 Forum
    • VIP Login
    • Press
    • Archive
  • New York
    • Home
    • Artists
    • Exhibitors
    • 1-54 Forum
    • Partners
    • What’s On
    • Special Projects
    • VIP Portal
    • Press
    • Archive
  • Marrakech
    • Home
    • Press
    • Partners
    • Archive
  • Paris
    • Home
    • Artists
    • Exhibitors
    • Forum
    • What’s On
    • VIP Portal
    • Press
    • Partners
    • Archive
  • Artists
  • Exhibitors
  • 1-54 Forum
  • Partners
  • What’s On
  • Special Projects
  • VIP Portal
  • Press
  • Archive
Menu

New York 2016

  • 1-54 Forum 2016
  • Exhibitors 2016
  • Partners 2016

Clay ApenouvonMariane Ibrahim Gallery

Born in 1970, Lomé, Togo. Lives and works in Lomé; Aubervilliers, France; and Mantes-la-jolie, France

Clay Apenouvon, Danses Plastiques series, 2015, Plastic pressed onto plastic, 52 x 44 cm / 20.47 x 17.32 in, Courtesy of Mariane Ibrahim Gallery 

Clay Apenouvon explores the possibilities of materials such as cardboard – as a material that is widely available and provides heavy-duty support, yet contains a certain fragility. For Apenouvon, cardboard has a metonymic quality and is frequently used within his work to respond to ideas of use and material value. Further explored is packing: from the ubiquitous use of cardboard in transport and global distribution, to the phenomenon of vacuum-packing. Another material of interest for Apenouvon is plastic. Having been influenced by the work of Steve McPherson and Pascale Marthine Tayou, he produced Plastic Attack in 2010. Designed to embody the ‘fatal beauty’ of its materiality, the work raises awareness of the dangers that plastic poses to the environment on a global scale.

Apenouvon has previously performed and exhibited in Europe and the US. More recently, an installation work of his, Film noir de Lampedusa (2015), was included in the exhibition Visibles / Invisibles: l’Afrique urbaine et ses marges at Fondation Blachère in Apt, France in 2015.

Selected Artists

Goodman, Frances

Otobong Nkanga

Olagunju, Niyi

Bandoma, Steve

Lemaoana, Lawrence

Muluneh, Aïda

Monteiro, Fabrice

Samba, Chéri

Artists 2016

  • A

    • Aboudia
    • Adams, Derrick
    • Al Miller
    • Andrianomearisoa, Joël
    • Ategwa, Ajarb Bernard
    • Athi-Patra Ruga
  • B

    • Ba, Omar
    • Bandoma, Steve
    • Beatrice Wanjiku
    • Boua, Armand
    • Boutté, Nathalie
  • C

    • Clay Apenouvon
  • D

    • Diop, Omar Victor
  • E

    • Edson Chagas
    • Em’kal Eyongakpa
    • Emma Amos
    • Erruas, Safaa
  • G

    • Gastineau Massamba
    • Goodman, Frances
    • Gor Soudan
  • H

    • Hamidou Maiga
  • I

    • Ibrahim Mahama
  • J

    • Jean-Claude Moschetti
    • Jim Chuchu
  • K

    • Kentridge, William
    • Kganye, Lebohang
    • Khelil, Farah
    • Kura Shomali
  • L

    • Lemaoana, Lawrence
    • Leonce Raphael Agbodjelou
    • Liebenberg, John
    • Lundangi, Franck
  • M

    • Mabunda, Gonçalo
    • Maïmouna Guerresi
    • Maludi, Houston
    • Michéa, Vincent
    • Mika, JP
    • Monteiro, Fabrice
    • Muluneh, Aïda
    • Mustapha Azeroual
    • Mwangi Hutter
  • N

    • Ndary Lo
    • Ndiaye, Cheikh
    • Nzebo, Boris
  • O

    • Olagunju, Niyi
    • Olatunji, Babajide
    • Onditi, Paul
    • Otobong Nkanga
  • P

    • Peterson Kamwathi
    • Phoebe Boswell
  • S

    • Samba, Chéri
    • Sanogo, Amadou
    • Sonia Boyce
    • Sue Williamson
  • T

    • Theo Eshetu
  • U

    • Uche Okpa-Iroha
    • Uman
  • V

    • Veleko, Nontsikelelo
    • Victor, Diane
  • W

    • William Sagna
  • Y

    • Yashua Klos
    • Yéanzi
  • Z

    • Zangewa, Billie
    • Zinkpè, Dominique
    • Zohra Opoku

Sign up to our Newsletter

  • Facebook
  • Twitter
  • Youtube
  • Instagram
  • Artsy
Buy limited edition bags
Privacy Policy

Sign up to our Newsletter