Hicham Benohoud’s practice is rooted in Moroccan culture and societal structures, exploring notions of individual and collective identity. Benohoud began his artistic journey with self-portrait photography, a medium he continues to practise, and has expanded his current process to incorporate mixed and new media. Humour, surrealism, performativity, and self-deprecation staged in unexpected modes, are recurring elements in his work. His works are featured in the permanent collections of institutions such as the Tate Modern, London and the Centre Pompidou, Paris.